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Part two of what may be the most interesting dialog I’ve ever had with another human being (I’ve had plenty of good ones with dogs) is now live at the Sunday Observer. Pablo D’Stair and I talk all sorts of shop. In his installment we talk about a world without context, the reader as an audience, music, and more. Seriously, and I’m not just saying this because I’m involved, there is some damn good stuff going on here.
Read part two, here.
Then, be sure to read part one as well.
Extree, extree, this just in, Caleb tells you why you may have shitty taste in books. New article at Slothrop.com just went live, titled “Why You Will Never Stop Reading Books by that Shitty Author You Secretly Love.” A taste:
My goal here, it would seem, is to strip away the magic and aesthetic pleasure from the reading experience until all that remains is a conscious system of if/thens made to cultivate so much data and worry that you’d be better to build an apocalypse bunker, devoid of all text, than to crease the spine of a highly anticipated blockbuster from James Patterson (though, you’d be wise to avoid the latter no matter my intentions with this blog post). Yes, it seems that way. But no. Rather, it is important to understand the very basics of the free will argument if we are to at all suppose books as a unique medium.
Head over to Slothrop to read the post. Leave a comment. Let Phil know how much you love the article. Maybe he will have me back.
Easter Eggs, you know, those hidden references in movies, books, websites, and more that aren’t necessary but are damn fun in a treasure hunt sort of way. I planted a few (13 to be exact) in my newest novel, I Didn’t Mean to be Kevin. In this, part 4 (of4), I reveal references to Chuck Palahniuk (Fight Club) and Geoffrey Chaucer (The Canterbury Tales).
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Increasingly, one of my favorite things is dialogue(ing) with Pablo D’Stair. He’s the sort of arm-chair thinker/drinker, literary critic type that I get on well with. Recently, he and I had yet another email back-and-forth, this one for the Montage section of the Sunday Observer (“Sri Lanka’s English Newspaper with the largest circulation”), where we wax on about genre vs. literary writing, the sound of language, what constitutes success, and more. Dare I say that this series is perhaps our most interesting dialogue yet (though, I reserve the right to someday find hidden genius in our past discussions).
Head over to the Sunday Observer now get all icky with Pablo and Caleb sticky.
